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Samir Salameh
"JOURNEY" 3 Artists.
Richard Gere

Emily Jassir

Rola Halawani
Khalil Rabah
Aurori Danki
Deina Ghazal
   
Husni Radwan
Trio Exhibit
Living Stones
A Silent Dialogue

A Visual Vision
Flowerpots & Stories
 •  Samer Abu Ajamieh Rust
 •  Nabil Anani Ink on Paper
 •  Mustafa Al Hallaj
 •  In Their Memory
 •  Women Beyond Borders
 •  Pottery & Copper
 •  Poem of Beirut
 •  Jericho First
 •  Contrast
 •  Search
 •  Pandemonium
 •  Earth & Sky
 •  The Siege
 •  The Presence of Places
 •  Diwan Al Noor
 •  Landscape and Man
 •  When Salt Blooms
 •  Portrait
 •  Identity
 •  The Black Plait
 •  L'enfant jazz & la guerre
 •  Loyalty
 •  Spirit of the Earth
 •  Ten Years in Mud
 •  To the children of Palestine
 •  Between the Stone & the Bullet
 •  Beautiful Palestine
 •  Textures of Palestine
 •  An Eye on Nature
 •  Husni Radwan
 •  Conversations with Man & Nature
 •  Others


 





This exhibition is based on a plan created by the American artist, Lorraine Serena. Her plan is for the creation of a global and borderless community composed of female artists from around the world. In line with this aim, participating artists were each given a small "wooden box" (Approximately 5.5 x 9 x 6cm). The artists used many different approaches…drawing the box, gluing pictures on it, burying it, smashing it and then recreating it…to produce unique works, with much originality. The box symbolizes a bride's hope chest, the womb, a tomb, etc.. The Palestinian edition of this exhibition consists of five works of art produced from these small boxes by five Palestinian female artists and they are: Vera Tamari, Rudayna Qasrawi, Dina Ghazal, Tina Sherwell & Natasha Ma'ani.



This piece of art represents a woman with a steadfast and proud posture. She sits and carries in her lap the continuity of life: her own children. Her face reads of dignity. She carries on her head a pot with a dove: the symbol of love and peace. She creates and conveys life, pride and peace.

Dina Ghazzal
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My love for boxes goes way back in time… It was triggered in me as a child when I was enchanted by all the silken colors, embroidery and sweets that came out of my grandmother's old wooden box… And at that time, we lived in a yet bigger stone box that reeked of lemon & jasmine flowers. The color of its cover was interchangeable, ranging between bright sky blue to a shade of azure and it seemed as if it were decorated with stars. But there was always someone who broke my boxes that contained me and I them…

Rudayna Qasrawi -2003
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What comes out of this box from magic, whispers, screams, images and emptiness… is Life.

Rudayna Qasrawi - 2003
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Tina Sherwell


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Natasha Ma'ani


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Stone upon stone is our house on top of the hill White in sunlit dawn and in the moonlight green And betwixt one night and another, We know nothing but waiting. From July in the City, a collection of poems by Palestinian artist, novelist and poet, Jabra Ibrahim Jabra – 1959

STONE UPON STONE
In these devastating times of deliberate, pitiless destruction of homes, history and peoples, I defiantly built an edifice of stone to celebrate the future. It is a shrine, a shelter, an obelisk for all those peoples and countries who's future has been brutally marred and who are denied the chance of generating personal and collective memories. For as every stone touches another stone, so does memory: it is created by ageless unbreakable bond between the past, present and the future.

Vera Tamari – Palestine 2003