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DINA GHAZZAL
- Born in Nablus.
- BA in Ceramics from Fine Arts Academy- Baghdad.
- Works at teaching pottery in the Ramallah Training Center for Women,
Ramallah.
- Participating member in the League of Palestinian Artists.
- Three solo exhibits in Baghdad, Mohammed Siyam Hall & Al Mattal
Gallery in Ramallah.
- Participated in all group exhibits for the League of Palestinian
Artists in Ramallah, Jerusalem, Jordan, Syria, Qatar, UAE, Italy, and
USA.
- Awarded the Creative Award in pottery sculpting from Palestinian
Ministry of Culture in the year 1998.
In this exhibition
Dina Ghazal presents her latest body of work, on show there is a wide
variety of ideas represented in different forms that includes relief
and sculptural works. Ghazal draws her inspiration from various
sources. Her inspiration often comes from aspects of the world around
her that catch her attention, while other works arise from delving
inwards and evolve from an exploration of her imagination. With both
approaches she believes strongly in abstraction and not in creating
literal representations, in order that she might capture and express
the essence of her ideas. Experimentation with ideas and forms are an
integral part of her artistic practice. For Ghazal, the qualities of
the material she works with are very important, she explains that her
work is an attempt to show the versatility and malleability of clay
with which she hopes to challenge traditional perceptions of the use
of the medium. This is evident in the boldness of her approach and the
execution of her work. Ghazal's art work has evolved from her earlier
creations that lyrically celebrated Palestinian traditions. This new
series is starker and combines both architectural and organic forms
and imparts a somber and foreboding tone. Her choice of colors she
suggests stems from the deep dark colors of the earth and for her
expresses a relationship and bond to the land. Although this series
carries an air of severity she believes the pieces also impart a sense
of hope, as for the artists there is strength in weakness as there are
no absolutes in life. Evidently, like many other Palestinian artists
the realities of the current Intifada contour and influence the
artist's work in different ways and this can be sensed in her abstract
creations.
Tina Sherwell
June 2003
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